Women’s beauty, for instance, is being described as a power which can conquer and has to be conquered by the power of men, the brutal power of physicality.
2015 English edition’s coverĬantik Itu Luka seems to come up with some ideas, materialized in its subplots and lines of narration. But theirs are not the romantic ones we can describe as sweet and tender, for they demand blood, tears, heartache, revenge, hatred and leave those women’s lives as bitter as the history they have to endure. And as the history keeps shifting from one period to another, even to the time when communism is at its glory, the plot unfolds complicated love stories between Dewi Ayu’s startlingly beautiful illegitimate daughters and the three men who represent the historical events being narrated. In the middle of it all, readers will see moments when Dewi Ayu is forced to be a prostitute by the Japanese and has to live that life for years afterward, even after the independence. No time for mourning over the fact, however, because the time flies by and soon comes the period of wars: the German invasion of European countries, the looming of the second World War, and the coming of the Japanese to Indonesia. But neither his wife nor Ted himself know that his crucial decision will one day cause total chaos when their son and the illegitimate daughter fall in love with each other and bear another bastard that is Dewi Ayu.
From this affair, Ted begets a bastard whom then he takes as his legal child. Ted Stammler, a landlord in the Dutch colonization era, takes away a poor local woman named Ma Iyang and makes her his mistress. Upon finding out that her youngest daughter Cantik, an unfortunately very ugly girl, is pregnant with a child of nobody knows who, the storyline immediately brings us travelling to the past where the curse begins. The semi-surrealistic tale starts with the resurrection of Dewi Ayu, a native woman of Dutch descent, after twenty-one years of her death. Or is it more appropriate, though, to call it a fictional summary of the modern history of Indonesia? Either way, Kurniawan has truly managed to weave strands of events of the past, in a humorously sinister way, and philosophical views on women’s beauty into a magical story about a family that is doomed from the start. That’s pretty much the after-reading impression of Cantik Itu Luka, Eka Kurniawan’s beautifully-crafted, painfully-punchy feminist novel.
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