“A charming, discursive encounter with classic children’s literature from the perspective of a parent. Wild Things makes a convincing case for reading children’s books as an adult.” - The A.V. “A terrific rumpus of a journey into the world of illustrated and young reader classics. White, Wild Things is “a spirited, perceptive, and just outright funny account that will surely leave its readers with a new appreciation for childhood favorites” ( Publishers Weekly).
A clear-eyed love letter to the greatest children’s books and authors from Louisa May Alcott and L. It’s a profound, eye-opening experience to re-encounter books that you once treasured decades ago.
Along the way, Handy learns what The Cat in the Hat says about anarchy and absentee parenting, which themes are shared by The Runaway Bunny and Portnoy’s Complaint, and why Ramona Quimby is as true an American icon as Tom Sawyer or Jay Gatsby. So how did we get from there to “Let the wild rumpus start”? And now that we’re living in a golden age of children’s literature, what can adults get out of reading Where the Wild Things Are and Goodnight Moon, or Charlotte’s Web and Little House on the Prairie?Ī “delightful excursion” ( The Wall Street Journal), Wild Things revisits the classics of every American childhood, from fairy tales to The Very Hungry Caterpillar, and explores the back stories of their creators, using context and biography to understand how some of the most insightful, creative, and witty authors and illustrators of their times created their often deeply personal masterpieces. Offering children gems of advice such as “Strive to learn” and “Be not a dunce,” it was no fun at all. The dour New England Primer, thought to be the first American children’s book, was first published in Boston in 1690.
Seuss vs.An irresistible, nostalgic, insightful-and “consistently intelligent and funny” ( The New York Times Book Review)-ramble through classic children’s literature from Vanity Fair contributing editor (and father of two) Bruce Handy. and well beyond - Once upon a time and in and out of weeks: Fairy tales and Maurice Sendak - Why a duck? The uses of talking animals from Aesop to Beatrix Potter to Olivia the Pig - You have to know how: Dr. New eyes, new ears: Margaret Wise Brown and Goodnight Moon - Runaways: Family drama in picture books. Includes bibliographical references (pages 473-487) Along the way, Handy learns what The Cat in the Hat says about anarchy and absentee parenting, which themes are shared by The Runaway Bunny and Portnoy's Complaint, and why Ramona Quimby is as true an American icon as Tom Sawyer or Jay Gatsby Bruce Handy revisits the classics of every American childhood, from fairy tales to The Very Hungry Caterpillar, and explores the back stories of their creators, using context and biography to understand how some of the most creative authors and illustrators of their times created their often deeply personal masterpieces.
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